Picture this: a bank heist, a head injury, and a ten-minute gap in your memory. Sounds like a Monday morning, right? Wrong! In Brian A. Miller's "10 Minutes Gone," Bruce Willis plays a man whose life turns into a twisted puzzle after a botched robbery leaves him with amnesia. This action-packed crime thriller promises twists, turns, and enough head-scratching to make you question the stability of your own memories.
Our hero, Jack, wakes up with a concussion and a serious case of amnesia following a bank heist. The only clues? A scattered memory of a beautiful woman (Meadow Williams) and a vague feeling that something went horribly wrong. He’s got ten minutes of missing time to find, ten minutes that hold the key to uncovering who set him up and why. It's a race against time, much like trying to find your car keys in a parking lot the size of Texas.
The direction is… functional. Let's just say it doesn't exactly reinvent the wheel; more like it attempts to change a tire on a speeding bus. The cinematography is adequate, though sometimes the lighting resembles a shadowy interrogation room more than a thrilling heist. The soundtrack, however, is the film's equivalent of a broken elevator – it might get you there, but the journey's a bit jarring. If "10 Minutes Gone" was a cocktail, it would be a very stiff, poorly mixed one.
Bruce Willis channels his classic action-hero persona, a seasoned performance that still holds its charm despite feeling a little bit… reheated. Meadow Williams, though, provides a refreshing counterpoint, her character a beacon of mystery amidst the chaos. Michael Chiklis brings his customary gravitas to a villainous role. The rest of the cast performs admirably, a troupe of supporting actors gamely filling in the gaps. It's like a well-oiled machine, even if some parts are a little rusty.
“10 Minutes Gone” explores themes of trust, betrayal, and the fragile nature of memory. It's a familiar narrative, but the film attempts to add a layer of suspense by playing with the unreliable nature of the protagonist's recollections. It even manages to hint at something about the modern surveillance state, though the metaphor is about as subtle as a foghorn. However, the narrative occasionally feels like it suffers from its own amnesia, forgetting to properly tie up some loose ends.
“10 Minutes Gone” is a passable thriller, a decent way to spend 89 minutes if you're looking for a straightforward crime story. It's not a cinematic masterpiece; perhaps more of a cinematic… decent-enough-for-a-rainy-afternoon. Rating: 3.6/5 stars (a generous rating considering the ten minutes I wish I could get back). Recommended for: Bruce Willis fans, those with a low tolerance for high-concept thrillers, and anyone looking for a light-to-medium-weight cinematic experience. In conclusion, "10 Minutes Gone" is like that slightly-off-kilter photo in your family album: it's got its charm, but it's not exactly a prize-winning snap. It’s a film you probably won't remember ten minutes after you've watched it, but hey, at least it's not a total memory wipe.
Note : 5/5
Publié le 15 Dec 2024
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